Sunday, September 15th, 2013

Olivier Wevers and Whim W’him

Olivier Wevers at

Olivier Wevers at

In May, Whim W’him presented new works by artistic director Olivier Wevers and PNB’s Andrew Bartee, the Seattle premiere of L’Effleure by Annabelle Lopez Ochoa, and a showing of Wevers’ Fragments, originally created for Spectrum Dance.

Bartee’s flair for choreography is easily seen in his This is Real. Set in a recording studio, the dance features frenzied movement, then snakelike phrases, then resolution among the three dancers: Mia Monteabaro, Tory Peil, and Sergey Kheylik. Likewise, Wever’s award-winning Fragments was a huge success – melodrama, parody, social critique, energetic, rhythmic (with the same highs and lows of the background arias themselves). It’s funny, it’s demanding — Lara Seefeldt and Jesse Sani  were striking.

Choreographer-dancer Bartee performed a luscious solo, Lopez Ochoa’s, L’Effleuré. Just standing in da Vinci’s anatomical pose, hands bloodied with red roses, was as powerful as his compact dancing – head bowed, body erect.

However, it’s in Wevers’ premiere of I Don’t Remember A Spark, that the dancers show their skill and credibility as an ensemble. Dancing to voice-overs on the choreographic process provided by Wevers himself, the group almost breathes the movement. Says Wevers: Choreography is a “discipline, a point of view, a language” and  “you want to embrace what [the dancers’] limitations are” to spark something in both creator and those dancing. Clear and smooth and articulate –the dancers bear witness to Wever’s prose – “creating is like breathing, it just happens.”

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